SO LONG THE PATH
KATYA QUEL ELIZAROVA
SEPTEMBER 10
— SEPTEMBER 23, 2020
— SEPTEMBER 23, 2020
Without hinding her undying love for toxic materials Katya Quel Elizarova uses them to symbolize the poisonous absurdity of reality, which simultaneously gives her an appetite for life.
Katya works intensely to create her own fantasy and pseudo-scientific reality through installations, sculpture, painting and computer graphics. Her vision of the world is characterized by female empathy, deep sympathy for the planet and a focus on environmental issues.
So long the path I walk
Among the hills and rocks,
I leave no trace for wolves,
Bridge will burn, ship will
sink.
No mercy, no revenge
I just will run away.
I don’t have time to wait,
Distance needs no response.
My face behind the hood
No one should see as cute.
The sun comes from above:
Path is passed, time to love.
Among the hills and rocks,
I leave no trace for wolves,
Bridge will burn, ship will
sink.
No mercy, no revenge
I just will run away.
I don’t have time to wait,
Distance needs no response.
My face behind the hood
No one should see as cute.
The sun comes from above:
Path is passed, time to love.
" where a grocery bag dancing in the wind is represented as the most beautiful enigma in the lives of the film's characters. With this in mind, we can see the transformation of disposable plastic bags turned into fine works of art, giving them a new chance in life.
Her potential to become one of the new heroines of post cyber feminism, these computer literate girls who, through the aesthetic of a plastic Barbie house and elven princesses armed with swords, fight for the important role of sensual post-Internet art.
Her potential to become one of the new heroines of post cyber feminism, these computer literate girls who, through the aesthetic of a plastic Barbie house and elven princesses armed with swords, fight for the important role of sensual post-Internet art.